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Finding the Right Fit

From our Arts Council supported mentoring scheme, Keely O’Shaughnessy blogs on feeling the pinch - the discomfort and joy of working with mentor Mahsuda Snaith.

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Square With The House

Stephen Connoly concludes his blog series as this month’s Dialect x Waterland writer in residence with some reflections on the process of writing, editing, rehearsing, performing and recording his radio play, Square With The House, from scratch.

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Squaring Up: on working with a pro

Writer in Residence Steve Connolly continues his series of blogs on the writing process as he finalises the script for his forthcoming radio play, Square With The House.

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Rings Around the Lake

Writer in Residence Stephen Connolly blogs about finding inspiration at the lake after a three month absence

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Back to Lake 32

‘Tired… and slightly balder’ after a recurrent brush with Non-Hodgkinsons Lymphoma, writer in residence Stephen Connoly blogs - in signature understated style - on being back in business at the lake

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Writing in the Gaps

Sarah Hemings, one of our Arts Council supported mentees, on writing in the small gaps that motherhood yields and having the time of her life.

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One Minute Wonder Women

Dialect's #IWD2021 One Minute Wonders - a video series showcasing the work of women who write #ChooseToChallenge

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Writing, me and cerebral palsy

Fiction writer Keely O’Shaughnessy, one of our Arts Council supported mentees, blogs about what it’s like to be a writer living with a disability.

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Why Class Matters

“Despite being a voracious reader and keen writer of stories, I never envisaged being a writer – whether as a hobby or anything more. It was a niche and unobtainable pursuit like being an astronaut or a Hollywood actor.”

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Fear is a Super Power

‘You know that ice-breaker question, if you had a super-power, what would it be? I usually pick photosynthesis.’ Kate Keoghan blogs about sparring with anxiety and the development of her work as a Dialect mentee with poet Pascale Petit.

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Painting Bridges

“A month into the Dialect mentoring programme and my writing practice has been turned upside down. No, really. It has. And in a good way.” In her first blog for Dialect, Audrey Healey writes about being mentored by novelist Melanie Golding.

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A Certain Ear

Alice Oswald has described her work as a listening, a way of forcing a poem open to what lies bodily beyond it. In the first poem for his Dialect x Waterland #residency, Alun Hughes shares the result of a form of listening, writing in and about place.

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