Square With The House
Stephen Connolly concludes his blog series from a month of incredible hard work as Dialect x Waterland writer in residence with some reflections on the process of writing, editing, rehearsing, performing and recording his radio play, Square With The House, from scratch.
Congratulations Stephen, we think you’ve done an amazing job!
Left to right: Katy Sorenson, Stephen Connolly and Adrian McPherson
Monday 31st May
Square with the House has been recorded, mixed and now uploaded. The weather on Sunday stayed fine, the locations I scouted on Saturday worked out well, we recorded both by the car park and on the north east corner of the lake, away from the traffic on Spratsgate Lane. My biggest concern was wind noise, there being slightly more breeze on Sunday than the day before. The west side of the lake is very exposed when the wind is from the East and recording activities on the main landing area by the cafe just not practical.
On Saturday it felt at times as though I was recording next to the International Air Tattoo with aircraft passing over every few minutes; small civil aircraft, big transports coming to/from Fairford and the occasional helicopter. Also, with Saturday being a working day, there was the noise of gravel extraction from the lake to the east. Fortunately, Sunday was much quieter. Only one aircraft made it on to the final recording, a slow-moving piston engine craft (by the sound of it) during a speech in Scene 4, but hopefully not too loud to be distracting.
My cast Katy and Adrian were very patient, both with the practicalities of the location - people passing, talking on their phones, stopping to gaze at the swans who gathered in the water nearby, dogs - and with my need to check recording levels, tone, delivery all at the same time. They both did very well on the day, I am very pleased with the final results. It was a pleasure working with them!
What would I have done differently?
I would have have written the script far earlier, left it alone for a month then returned to it with fresh eyes for a major cull: despite the rehearsals, there are still too many lines that (to me) read well but don't work when spoken by an actor. I think this is (for me) the biggest downside of having a deadline, but something I can be aware of for the next project. Ultimately, it’s something I need to get better at.
I would like to find a director/collaborator to help with the recording, rehearsing. I'm too polite to order actors around to be a good director!
Things I will continue to do?
Rehearsals over Zoom, which were very useful, meaning that a lot of work could be done well in advance and the actors and I could get used to each other.
Things I would like to happen again?
Definitely getting feedback from a pro. Having the opportunity to discuss the script with Kirstie Davis was a real plus!
Stephen Connolly is Dialect x Waterland writer in residence in January, May and September 2021. You can read more on his blog here.
